Sabine Fbx 2400 Rukovodstvo Na Russkom Yazike

Tal conversion and 12 patented FBX filters per channel. Sabine pioneered the automatic feed-back controller in 1990, and invented the digital feedback controller in 1991. This new generation of FBX is the state-of-the-art in automatic feedback. FBX-2020 PLUS Feedback Exterminators.

12 filters numriques indpendants type Notch channel: frquence dintervention between 40 Hz and 20 kHz, CONTRL automatically. Width filter: adjustable by the user, 1 / 10 or 1 / 5 doctave *, Q constant. RESOLUTION: 1 Hz Durencessaire frquence then resumed to eliminate feedback: 0.4 seconds 1 kHz Rpartition dynamic filters / fixed per channel adjustable by the user, dernire mmorise configuration. (*): Below of approx 200 Hz the feedback filters are increasing their width lgrement to the dacclrer reprage of these frquences Larsen, o is is often severe background noise (rumble). INPUT / OUTPUT Maximum dentre / output: +27 dBV peak (symtrique), +21 dBV peak (asymtrique).

Impdance load: 600 Ohms suprieure Impdance dentre:> 40 kohms, or symtrique asymtrique, hot spot in 2 Impdance Output: 150 Ohms nominal, or symtrique asymtrique, hot spot in 2 Bypass: physical if the power cord (sent directly from the exit). Reserved Dynamic: 23 dB peak (4 dBV nominal level dentre, symtrique). Connectors dentre / output: XLR 3 points and 6.35 mm TRS CHARACTERISTICS ** Rponse in frquence: 20 Hz to 20 kHz, + / -0.3 dB Difference in gain between the two channels: + / - 0.2 dB Spectral variation: + / - 0.25 dB, 20 Hz to 20 kHz S / N ratio:> 100 dB Total harmonic distortion: 105 dB (**) Values ​​face with a measuring device Audio Precision System One Model 322 or equivalent. Supply voltage - Position 230 VAC: 200 240 Volts, 50/60 Hz - Position 115 VAC: 100 130 Volts, 50/60 Hz FUSE - Position 230 VAC: fuse 0.06 A, 10 W, 0.080 AT - Position 115 VAC: fuse 0.1 A, 10 W, 0.160 A SB WEIGHT - 3.6 kg (nominal) UTILIZATION Extra a simple child's play SOUND QUALITY Extremely effective at least in auto mode with respect to the manual mode not express ass!!!!!!!!

I use it on my microphone Neumann KMS 105, which asked me a lot of problem of feedback but it's ancient history now is the top and I highly recommend it because there is not for me best on the market OVERALL OPINION I use it for a few hours but completely convinced dj I love everything about this unit not throw EXCELLENT price quality ratio I think even that there is no better way to treat the problem of feedback that does DBX dfend not too bad in this area also with their model afs 224.Si I need silent again this choice undoubtedly.

Marrying marcus laurey bright epub format. Maybe I should be putting this in the review section. I just got my Sabine FBX1210 in today and it is simply amazing! I highly recommend it for anyone that's struggling with feedback. I was a little freaked because I had heard that feedback eliminators poke holes in your tone and ruin it.

This is not the case! Graphic EQ's will but not the FBX1210. These notch filters are so tight that they ONLY notch the feedback tone and nothing else. These are 1Hz resolution notch filters – the same as if you set up a parametric EQ for notching.

It just takes about a 1/10th of the time to setup as a para EQ. Here's how I'm doing it. First, I hit my Fishman Plat. Pro BASS Preamp/E.Q. And set up the phase switch as Fishman recommends. This is my first electronic* line of defense against feedback.

Then I set up the Sabine by putting it in “setup mode” and slowly turning up my master volume. As soon as I hear a feedback tone start to take off I pause until the Sabine notches it out. Then I turn it up some more and it snags the next one too. Once I've let it tackle the first 9 feedback tones it locks the filters and I have a lot more available gain before feedback. There are 3 dynamic filters that stay active while playing.

That way I’m covered if a tone takes off during performance. Now that the feedback tones are taken care of I turn up to playing volume and sometimes I'll need to engage the HPF on the Fishman. It depends on how loud I need to get. If I'm playing at a quiet to medium volume I can keep all the bottom but if I need to get really loud I might have to dump a little more. This will suck a little tone but not as much as I would have to without the Sabine. Another added bonus is now that I'm virtually feedback-free I can try out a lot of pickups and choose the one that SOUNDS the best on my bass - not the one that has the highest amount of gain before feedback.

Chris *Obviously, you want to try acoustic/mechanical feedback prevention before electronic. Such as: covering f-holes, muting string after-length, isolating bass from floor and/or elevating cab, and possibly putting a towel between the tailpiece and bass. The Sabine FBX1210 is the mono version of the FBX2410 and because it's less in demand than it’s stereo counterpart, it is made to order. You can expect about a three week wait before shipment.

Tal conversion and 12 patented FBX filters per channel. Sabine pioneered the automatic feed-back controller in 1990, and invented the digital feedback controller in 1991. This new generation of FBX is the state-of-the-art in automatic feedback. FBX-2020 PLUS Feedback Exterminators.

12 filters numriques indpendants type Notch channel: frquence dintervention between 40 Hz and 20 kHz, CONTRL automatically. Width filter: adjustable by the user, 1 / 10 or 1 / 5 doctave *, Q constant. RESOLUTION: 1 Hz Durencessaire frquence then resumed to eliminate feedback: 0.4 seconds 1 kHz Rpartition dynamic filters / fixed per channel adjustable by the user, dernire mmorise configuration. (*): Below of approx 200 Hz the feedback filters are increasing their width lgrement to the dacclrer reprage of these frquences Larsen, o is is often severe background noise (rumble). INPUT / OUTPUT Maximum dentre / output: +27 dBV peak (symtrique), +21 dBV peak (asymtrique).

Impdance load: 600 Ohms suprieure Impdance dentre:> 40 kohms, or symtrique asymtrique, hot spot in 2 Impdance Output: 150 Ohms nominal, or symtrique asymtrique, hot spot in 2 Bypass: physical if the power cord (sent directly from the exit). Reserved Dynamic: 23 dB peak (4 dBV nominal level dentre, symtrique). Connectors dentre / output: XLR 3 points and 6.35 mm TRS CHARACTERISTICS ** Rponse in frquence: 20 Hz to 20 kHz, + / -0.3 dB Difference in gain between the two channels: + / - 0.2 dB Spectral variation: + / - 0.25 dB, 20 Hz to 20 kHz S / N ratio:> 100 dB Total harmonic distortion: 105 dB (**) Values ​​face with a measuring device Audio Precision System One Model 322 or equivalent. Supply voltage - Position 230 VAC: 200 240 Volts, 50/60 Hz - Position 115 VAC: 100 130 Volts, 50/60 Hz FUSE - Position 230 VAC: fuse 0.06 A, 10 W, 0.080 AT - Position 115 VAC: fuse 0.1 A, 10 W, 0.160 A SB WEIGHT - 3.6 kg (nominal) UTILIZATION Extra a simple child's play SOUND QUALITY Extremely effective at least in auto mode with respect to the manual mode not express ass!!!!!!!!

I use it on my microphone Neumann KMS 105, which asked me a lot of problem of feedback but it's ancient history now is the top and I highly recommend it because there is not for me best on the market OVERALL OPINION I use it for a few hours but completely convinced dj I love everything about this unit not throw EXCELLENT price quality ratio I think even that there is no better way to treat the problem of feedback that does DBX dfend not too bad in this area also with their model afs 224.Si I need silent again this choice undoubtedly.

Marrying marcus laurey bright epub format. Maybe I should be putting this in the review section. I just got my Sabine FBX1210 in today and it is simply amazing! I highly recommend it for anyone that's struggling with feedback. I was a little freaked because I had heard that feedback eliminators poke holes in your tone and ruin it.

This is not the case! Graphic EQ's will but not the FBX1210. These notch filters are so tight that they ONLY notch the feedback tone and nothing else. These are 1Hz resolution notch filters – the same as if you set up a parametric EQ for notching.

It just takes about a 1/10th of the time to setup as a para EQ. Here's how I'm doing it. First, I hit my Fishman Plat. Pro BASS Preamp/E.Q. And set up the phase switch as Fishman recommends. This is my first electronic* line of defense against feedback.

Then I set up the Sabine by putting it in “setup mode” and slowly turning up my master volume. As soon as I hear a feedback tone start to take off I pause until the Sabine notches it out. Then I turn it up some more and it snags the next one too. Once I've let it tackle the first 9 feedback tones it locks the filters and I have a lot more available gain before feedback. There are 3 dynamic filters that stay active while playing.

That way I’m covered if a tone takes off during performance. Now that the feedback tones are taken care of I turn up to playing volume and sometimes I'll need to engage the HPF on the Fishman. It depends on how loud I need to get. If I'm playing at a quiet to medium volume I can keep all the bottom but if I need to get really loud I might have to dump a little more. This will suck a little tone but not as much as I would have to without the Sabine. Another added bonus is now that I'm virtually feedback-free I can try out a lot of pickups and choose the one that SOUNDS the best on my bass - not the one that has the highest amount of gain before feedback.

Chris *Obviously, you want to try acoustic/mechanical feedback prevention before electronic. Such as: covering f-holes, muting string after-length, isolating bass from floor and/or elevating cab, and possibly putting a towel between the tailpiece and bass. The Sabine FBX1210 is the mono version of the FBX2410 and because it's less in demand than it’s stereo counterpart, it is made to order. You can expect about a three week wait before shipment.